| | Reviews | |
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| "Time seems to have stood still while
the Latvian Philharmonic Chamber Orchestra performs the music perfectly."
Neue Westfalische Zeitung |
| "If we judge by sound's quality, it
seems that Riga is placed somewhere between Wien and Italy."
Suddeutsche Zeitung |
| "The Latvian Philharmonic Chamber Orchestra
must be known for their rich string sound: their accurate and stirring
playing at fast tempos, and for their lyrical approach in slow movements."
Dallas Times Herald |
| "The Latvian Philharmonic Chamber
Orchestra plays with a particular sophistication. Its appeal can
be found in the sound, which seemed to be composed by pure light
and deep feelings." Dernieres Nouvelles
d'Alsace
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| "The perfomance reveals one of the
best and finest chamber orchestras that has ever come to Delhi.
Rarely it could be listened such a warm and bright string sound."
Times of India
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| "Valuable concert in Rovereto, some
days ago, with the Latvian Orchestra and a program devoted to slavic
and scandinavian composers. The ensemble, led with skilled gesture
by Massimo Lambertini, has deserved to present pages of unusual
listening...nice performance of the orchestra, in the creamy sound
and in the relaxed lines of cantabili...in the Holberg Suite of
Edvard Grieg, the orchestra showed full adherence to the spirit
of the piece..." L'Adige
(April 2, 2007) |
| "And Latvians endeared Sondrio"
- "A confindent round of applause for a choral performance
that really made a mark" - "...First of all, we have to
point out the real harmoniousness which is present between orchestra
and conductor. Harmoniousness doesn't mean routine: between Massimo
Lambertini, named artistic and musical director by great acclamation,
and this Orchestra exists that kind of "alliance of intents"
which brings, in a group, the actual eurhythmy and euphony...Valtellina
knows and appreciates a lot the conductor Massimo Lambertini..."
Carlo
Mola, La Provincia di Sondrio
(March 5, 2005)
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| "...the orchestra, conducted by the
young enthusiast bolognese Massimo Lambertini has offered the best
of it's peculiarity. Harmonic and clear sound, well-distributed,
very expressive... the Concerto in Re by Stravinsky...has also shown
its advanced technical-expressive level, displaying ductile in the
armonic temporal jump from the historical 20th Century of the russian
composer to the viennese classicism of Mozart. Lambertini has moved
peremptorily and with confidence on the keyboard, conducting the
orchestra as well. His easy and accurate "pianismo" has
found a carefull partner in the orchestra and the balance between
solos and the team well proves the link that join this talented
bolognese musician, full of likability, to the Latvian orchestra,
with whom he collaborates approximately from an half-decade.....many
curtain calls, true ovations and Ciaikovsky's encore..."
Il Giornale di Vicenza
(November 16, 2002)
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| "Sold
out for a concert intended to remain in bellunese annals."
"Exciting Latvian
Philharmonic Orchestra" "The Italian Lambertini conducts
an international-rank orchestra."
"The wide hall of
the Auditorium comunale with efforts housed the audience that
Tuesday welcomed with great satisfaction the Latvian Philharmonic
Chamber Orchestra concert, conducted by Massimo Lambertini, showing
to the latvian ensemble and its conductor high appreciation for
the program and the quality of his performance."
Il Corriere delle Alpi
(Novembre 2002)
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"...extraordinary success was obtained
by the first of the four concerts of the Festival. Lambertini, as
soloist and conductor has been the protagonist of a vibrant and
very emotional concert, performing beside the Rondò K382
and the Concerto K449 two delicious transcriptions, by the same
Lambertini, of Rossini's Petite Caprice and Tarantelle Pur-Sang...closing
the concert, a welcomed version for piano and strings only of the
Gershwin Rhapsody in Blue, very appreciated by the audience that
asked it again as encore..."
La Gazzetta del Sud
(June 8, 2001)
|
| "The performance of the Latvian Philharmonic
Chamber Orchestra was absolutely top-class. Conducted by Massimo
Lambertini, the ensemble offered interpretations of outstanding
precision and quality. Well conducted by Lambertini, the Latvian
Philharmonic Chamber Orchestra managed to obtain - not only in the
rendering of the Ciaikovsky Serenade - tasteful and greatly suggestive
‘colours’, by sheer force of their preparation and enviable
harmony ...”
La Gazzetta del Sud
(April 10, 2001)
|
| “…with the subtle gusto of
Lambertini. The orchestra at his disposal was well tuned and answered
effectively to his gestures, bowing to the dynamic nuances that
the score requires.”
La Provincia di Sondrio
(March 24, 2001)
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| “Thanks to Lambertini’s baton,
the interpretation is finely balanced, being able to shake and comfort,
move and elate.”
Centro Valle
(March 25, 2001)
|
| “The orchestra proved to be a faithful
interpreter of the composer’s spirit. Very good was the sound
mixture, excellent the balance between the sections, extremely refined
the pizzicato, as well as the kept notes. Maestro Massimo Lambertini
voiced, with taste and sensitivity, the charming poetry of Peteris
Vasks.”
Gli Amici della Musica
(May 2000)
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| “The Latvian Philharmonic Chamber
Orchestra and Massimo Lambertini conquered full approval of an enthusiast
audience, thanks to brilliant and concentrated performances.”
Alto Adige
(April 1, 2000)
|
| “… the young Maestro Lambertini
both performed at the piano and conducted, showing great ease and
readiness, in a clear and smooth interpretation.”
Il Giorno
(March 21, 1999)
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| “Conducted by the Bolognese Maestro
Massimo Lambertini, the Latvian Philharmonic Chamber Orchestra,
with great precision and homogeneity, performed a programme entirely
devoted to a repertoire of sacred music.”
La Sicilia
(April 19, 1999)
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