| | Reviews | |
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| “This miracle
is due to the conducting of Massimo Lambertini: not only an expert
performer but also young interpreter with great polish and transport
(reminiscent of Verdi), and an incredible musician on the level
of Claudio Abbado. His interpretation of the Mozart and Dvoràk
serenades were magnificent, with total control of phrasing and dynamics.”
Alpen Adria Kammerphilarmonie |
| “…
the talented young Italian, Massimo Lambertini. In few rehearsals
he and the orchestra had found a pleasing Spanish style: light and
elegant, the rhythms dancing lightly and considerably exact. Under
Lambertini the orchestra achieved finesse for the flamenco’s
deep song – the possessed, claustrophobic pain streaming from
sources under surface, the gloomy, furious complaints and explosions”
Helsingin Sanomat, Hannu-Ilari Lampila |
| “…with
the subtle gusto of Lambertini. The orchestra at his disposal was
well tuned and answered effectively to his gestures, bowing to the
dynamic nuances that the score requires” LA
PROVINCIA DI SONDRIO
(March 24, 2001) |
| “Thanks to
Lambertini’s baton, the interpretation is finely balanced,
being able to shake and comfort, move and elate” CENTRO
VALLE
(March 25, 2001) |
| “The Latvian
Philharmonic Chamber Orchestra and Massimo Lambertini conquered
full approval of an enthusiast audience, thanks to brilliant and
concentrated performances.” ALTO ADIGE
(April 1, 2000) |
| The performance
of the Latvian Philharmonic Chamber Orchestra was absolutely top-class.
Conducted by Massimo Lambertini, the ensemble offered interpretations
of outstanding precision and quality. Well conducted by Lambertini,
the Latvian Philharmonic Chamber Orchestra managed to obtain - not
only in the rendering of the Serenade - tasteful and greatly suggestive
‘colours’, by sheer force of their preparation and enviable
harmony ...” LA GAZZETTA DEL SUD
(April 10, 2001) |
| “The orchestra
proved to be a faithful interpreter of the composer’s spirit.
Very good was the sound mixture, excellent the balance between the
sections, extremely refined the pizzicato, as well as the kept notes.
Maestro Massimo Lambertini voiced, with taste and sensitivity, the
charming poetry of Peteris Vasks.” GLI
AMICI DELLA MUSICA
(May 2000) |
| ”The Andantino
is where a soloist must understand the intense dialogue between
the orchestra and piano, and I believe pianist and conductor Lambertini
was capable of helping us understand the sense of this dialogue.”
LA PROVINCIA
(March 21, 1999) |
| “…
the young Maestro Lambertini both performed at the piano and conducted,
showing great ease and readiness, in a clear and smooth interpretation.”
IL GIORNO
(March 21, 1999) |
| “Conducted
by the Bolognese Maestro Massimo Lambertini, the Latvian Philharmonic
Chamber Orchestra, with great precision and homogeneity, performed
a programme entirely devoted to a repertoire of sacred music.”
LA SICILIA
(April 19, 1999) |
| “Impressive
was the performance of the young pianist Massimo Lambertini.”
APPENNINO CMAERTE
(August 23, 1997) |
